Lokeyfly wroteYet, with some inventive accents, pitch bends, modulation, and envelope dynamics, we can make something on the verge of drab, be instead wonderful.

But that shouldn't keep the kids from having fun while drawing, being encouraged, getting inspired, and learning, and eventually developing a taste. It might even sound like trap, jazz, classical or tech house as good as anybody's to your ears, when in reality it might be more like your drawings as a kid: they could see what you'd been trying to do, but even your mother could see that it wasn't a Rembrandt. Without the experience and taste it can be very hard to get things right when playing, composing, producing or mixing music you're not used to.

Some sample libraries sound pretty good to my ears, but most of them are sounding fake or off, and as all recordings starts with the quality of the source, I always try to get that one right first. It's all relative to where you're standing. For some people all coffee is just coffee. Most regular music listeners can't tell the difference between a kick drum and a bass guitar, while others are able to to hear what bass guitar model or brand was used. The expert will tell the fake from the real and accept no imitations. The same goes even for home-made strawberry jam, good wine or coffee, clothes, jewelry, watches, paintings, carpets, furniture, cars, pretty much anything. The same goes for people with experience from other genres of music trying to play a genre they have little experience with: a jazz musician or a pop producer might think making trap beats is easy, but an avid listener of such beats would spot the weak 808s and awkward hi-hat patterns or whatever. With experience you develop a taste and a quality conscious approach, whether it's synth or compressor emulations, guitar tone or sample libraries. This is very, very true, and it goes for so many different parts of music production. Isn't that real?' and he said, 'Honestly, Jim? No.' He was right, because while I had some great nylon guitar sounds as well, to know the instrument is to know how incomplete all the possibilities are.

Lokeyfly wroteI remember once, I was so proud of some Mirage samples I had, and told our keyboard player 'Listen to that.

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